When the world turns its back on you, you turn your back on the world.
Timon, The Lion King
This was by-far the part of the costume I was most worried about. I had quite a few amorphous ideas about how the head would be mounted and the neck would be formed, but for quite awhile, I had no real idea of how any of it would come together. Luckily, it did come together, and it ended up looking pretty darn cool! We sacrificed quite a bit of visibility doing it the way we did, but we ultimately decided that we wanted to fabric all the way down to the mask from our heads. The original Broadway costume was totally open from the head to the mask, like so:
It looks awesome, and I am pretty sure it was done that way to allow the actors to really be able to see where they were going on stage, but the way we figured, we didn't need our visibility to be quite as good, and if we were in a situation that required full range of vision, we could just un-velcro the fabric and let it hang down. The fabric we used is surprisingly see-though, and the color ended up being pretty close to what we had done the masks and body-suits in. We did end up cutting small eye-slits into the fabric, but I don't think they were too noticeable.
To wearable parts of our head mounts were a GoPro chest harness and a GoPro head strap. We then took the leftover crutch bars (the tops, which were cut off to make the hand stilts) and used Thermo-Loc (an extremely hard thermal plastic that comes in little sticks, just microwave on a silicone sheet for a few seconds and its malleable. Available at http://www.thermo-loc.com/), just to attach the crutch to the clip that goes into the chest mount. To really make sure the crutch was secured, we wrapped the crutch in duct tape. Before you lock the crutch bar onto the clip, though, you will want to go ahead and drill a hole on the other end. This hole will let you attach the bar to the head eventually.
Make sure the bar is attached at an angle so that the head is positioned properly when bent over |
On the base of the masks we used the sticks of thermo-loc to make a little loop that stuck out from the bottom of the mask like so:
We added hot glue to secure then tape over everything, just to to be safe |
This hole and the hole in drilled in the aforementioned metal bar are used to attach the head to the chest mount in a way that allows it to move (with the added benefit of making it easier to put on since the head is removable). This was accomplished with a cheap trip to the hardware store. Using a hitch style cotter pin, a clevis pin, and a washer.
How the cotter pin, clevis pin and washer look when put threw the mounting bar |
Now that the heads are mounted on a movable platform it was necessary to get them to move in sync with our heads. That was actually way easier then it sounds. We took the Go Pro head mounts that came free with the chest mounts we bought and tied a piece of twine to each side of the mount. Then glued the other end of the twine to both sides of the top of the heads.
Takes some experimentation to get the length of twine right. |
At this point the heads are wearable.
As soon as we got the heads mounted like this we realized the chest mounts for the go pro where never meant for that kind of weight and are not comfortable so we ended up adding some foam padding we had left over from the feet to the underside of the chest mounts.
The next goal was to attach the necks to cover up our faces. We did this by using a near see-through women's blouse, with everything above the lowest point of the sleeves cut off. We hot glued the edge of the shirt to the back edge of the heads and used velcro patches to attach to the body suit. Don't forget to cut eye holes. Once we had the top of the blouse attached at the top we put it on and pinned up the bottom so that we could cut off and sew up the excess to make the necks flat.
Don't forget to add hair onto the top of the neck. |
FIN!
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